导演: 弗里茨·朗
编剧: Werner Jörg Lüddecke / 弗里茨·朗 / 特娅·冯·哈堡
主演: 黛博拉·佩吉特 / 保罗·霍布施米特 / 沃尔特·雷耶尔
类型: 剧情 / 爱情 / 惊悚 / 冒险
制片国家/地区: 西德 / 法国 / 意大利
语言: 德语
上映日期: 1959-01-22
片长: Germany: 101 分钟 / Spain: 95 分钟
又名: The Tiger of Eschnapur
IMDb链接: tt0052295
孟加拉虎的剧情简介 · · · · · ·
Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land.
A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate.
Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.
FritzLangreturnedtoGermanyontheeveofthe1960stodirectthisenchantedpenultimatework,aredraftofthediptychformpioneeredinsuchsilentLangclassicsasDieSpinnen;
此为上集，《印度的坟墓》是下集。单就上集而言完全是大师的拙劣之作，说是剧情片吧，它多半都是风光与民俗，说是风光片吧，它多半又是工作室的布景。片中唯独苦行僧的表演一段还能让人眼前一亮。
搭讪好狗血……三角恋和大场面什么的呃~~~为毛每个场景一出来我就联想到尼伯龙根了撒！你不是说史诗片什么，在德国玩过以后就不玩了么？那这部算啥？还彩色的一刚！
硬件强大，在Udaipur实地拍摄的，有些场景我觉得像是Jodhpur的。男人服装还蛮像回事，就是女性角色及音乐舞蹈风格完全搞到阿拉伯去了。
欧洲视角下的印度还真是古老又神秘呐，想到了让雷诺阿的theriver和大卫里恩的印度之旅，片中的异国情调都一样美
7。虽然在文化理解上不如罗西里尼，但朗的表面功夫确实做的很足，从建筑、布景、服装到大漠、老虎、宫殿都很新鲜。
弗里茨·朗的作品中，社会等级总是无比森严：从宫廷中雍容华贵的皇族，到地牢中苟延残喘的麻风病人
3.5一个俗套的三角戏在朗的指导下显得风情万种令人唏嘘啊^_^原来坟墓是它的续集啊……
记住了舞女和珠宝玉石交相辉映的美貌。女人啊！钻石/黄金/珍珠/翡翠都是你的好友圈。
朗回归德国拍摄印度史诗的前半部.布景对东方风情有所考据,异域奇景的场面表现得很好.
除了美术一贯优秀之外，故事确实很乏味啊，西方视角的异国想象，看下集如何。
女主的蓝眼睛出卖了她不是印度人，但她穿上纱丽跳着舞蹈，真是美艳不可方物
