ABIGAIL dreams of acceptance. An eternal outcast returning to school for the first time after a mysterious event the previous year, Abigail escapes from her hostile surroundings by immersing herself in the worlds of the characters she reads about. MELISSA wants control--she's a sophomore struggling to ignore her dysfunctional home life by using her sex appeal and cruelty to manipulate her surroundings, latching on especially to her new and naive friend, Sophie. SOPHIE is convinced that Melissa's life--that is, a life she sees as full of popularity, parties, boys, and power--is what will make her happy, and will stop at nothing to emulate her. ELLIE, an observant writer and Sophie's childhood best-friend, isn't sure what she wants--except to get out of the rut of self-resentment and falsity that her peers have dragged her into, and to find proof that that's not all there is...
Enter JEREMY, a substitute teacher going through some soul-searching of his own, who arrives at the school and introduces Abigail's drama class to Arthur Miller's 'The Crucible'. The parallels between Abigail's life and the play begin when Jeremy steps in as her scene partner, and she starts to sink into a familiar escape, immersing herself in this new character...but her plans take an unexpected turn when their relationship begins to move beyond the fantasy world she's constructed.
This strange and taboo bond quickly becomes a source of fascination for both Ellie and Melissa. As she observes them, Ellie falls in love with their story, convinced she's finally found truth in a fake world--while Melissa is suddenly driven to see Abigail no longer as a victim, but as a threat. Well used to being the one earning male attention, Melissa resents the relationship building between Abigail and Jeremy, and their closeness quickly becomes a symbol of everything she's missing in her own life. Pulling Sophie into a downward spiral with her as she struggles to maintain her carefully constructed hierarchy, Melissa finally strikes out to destroy what Abigail has--and what she's always truly wanted--someone who will finally love her for who she really is.
Set against the bleary backdrop of quiet suburbia, zoomed in on the lives of five lost souls within one close-knit high school, Blame is an honest coming-of-age tale about the many paths that become tangled when we refuse to face reality in our search for love.
梅丽莎和艾比盖尔两个人女人的撕逼大战，一方不择手段地维持在班级的地位，一方活在戏剧里逃避现实，而当她和老师杰米因排演戏剧而生情所引起的两个女人势力的不平衡，直接导致最终梅丽莎的诬告老师性侵毁掉艾比盖尔的生活。拍的不好，拖拖拉拉的剧情有很多狗血之处，格局也很小，不算好的作品。
开始只觉得女主长得很脱俗有气质，楚楚可怜而无助的样子和其他妖艳贱货不一样，没想到这片子还是她导演的，真是有颜有才，已关注。霸凌别人者最终自食恶果，这算是比较大快人心的了，只是真搞不懂国外中学生的审美，虽然婊里婊气的受追捧不新鲜，但这么美的女孩子还忍心欺负就天理难容了。
双女主之战！一个因为在校园受到排挤所幸目空一切，住进了剧本；一个因为没有幸福家庭开始放浪形骸目空一切，做尽了一切可恶之事。结果为了一个角色，二人针尖对麦芒，腹黑心机暗中斗法，男老师也成了无辜的“牺牲品”。最终，赢的笑了，输的蔫了，一场没有意义的较量究竟该归咎于谁？
1.5/5连一个普通故事都讲不利索，居然还要多线齐发。无论是剧情还是人物的完整性都极差，仿佛在照搬一本被撕烂的日记碎像，既无深度也乏趣味，主题混乱不堪，情节毫无逻辑。倒是床戏和开放性结尾学得像模像样，也算是小姑娘拍了个高级个人写真集罢了。
信息量略大导致有些头重脚轻我本来以为多个角色会在后半段有更多交集和变化 个人感觉Abigail是缺少父爱 Melissa为了逃避现实 Jeremy同时成为两人所需 95年的妹子自编自导自演还是很厉害的
女主厉害，根本不像有心理疾病啊……女二是被家里那个非亲生父亲非礼过吗？看起来想表达这个意思，但前面都没有铺垫。比较乱，不算一部好电影，考虑那么年轻的女主到自编自导自演，?一星。
看了点，有点受不了，不过想到导演兼主演是19岁写的剧本，22岁就拍了，坚持看完，几首配乐不错。说的只是师生恋，同学间相互嫉妒的小事20180212
妹子长的不错，然而故事感觉很凌乱。导演已经尽己所能的把故事拍明白，但是，还是显得整个故事很小儿科。那种压抑和逃避感不强，倒是撕x拍的很有张力。
95年已经开始做导演拍出这样的电影！！burn ignorance!!!!自斯托克后再一次让我体会到了电影能表达出文学所不能表达的东西！！！
少女的撕逼大戏，互相嫉妒，为了一个戏剧课男老师连污蔑造谣都用上，戏精的表演不够深入，老师选角色太木讷，一点没气质！烂片无言以对！
95年女主自编自导自演。画面很美，一开始会觉得格局太小，有些无聊，但是看到结局会有惊喜，寓意颇丰。
感觉导演想放进去的东西太多，节奏太杂乱...不过喜欢结局很正面。妈呀导演就是美女主角啊！！！
